Playing for Keeps: Improvisation in the Aftermath by Daniel Fischlin, Eric Porter

• Playing for Keeps: Improvisation in the Aftermath
• Daniel Fischlin, Eric Porter
• Page: 352
• Format: pdf, ePub, mobi, fb2
• ISBN: 9781478008149
• Publisher: Duke University Press Books

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The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world. Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vos

Reviewed by Mike Ford - Columbia University Journals
the contributors of this volume could have imagined how well-timed Playing for. Keeps: Improvisation in the Aftermath would be in a year roiled by a global. Ph.D. Secondary Teaching Field
Selected Publications. Recent Publications: Playing for Keeps: Improvisation in the Aftermath [co-edited with Daniel Fischlin] (Duke Univesity  Daniel Fischlin: Books - Amazon.ca
Playing for Keeps: Improvisation in the Aftermath. by Daniel The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue. ‪Eric Porter‬ - ‪Google Scholar‬
What Is This Thing Called Jazz?: African American Musicians as Artists …, 2002. 3, 2002. Playing for Keeps: Improvisation in the Aftermath. D Fischlin, E Porter. ‎Playing for Keeps on Apple Books
Playing for Keeps · Improvisation in the Aftermath · Publisher Description · More Books by Daniel Fischlin & Eric Porter. Playing for Keeps: Improvisation in the Aftermath
Playing for Keeps: Improvisation in the Aftermath (Improvisation, Community, and Social Practice) - Kindle edition by Fischlin, Daniel, Porter, Eric. Download it  Playing For Keeps: Improvisation In The Aftermath article
Playing For Keeps: Improvisation In The Aftermath article by Ian Patterson, published on July 1, 2020 at All About Jazz. Find more Book Review  Playing for Keeps: Improvisation in the Aftermath | Books
The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic  k e v i n + f e l l e z s - publications
Ki Ho'alu (Hawaiian Slack Key Guitar): Improvising as a Kanaka Maoli (Native Hawaiian) Adaptive Strategy" Playing For Keeps: Improvisation in the Aftermath History professor Eric Porter examines musical improvisation
Playing for Keeps: Improvisation in the Aftermath is an exploration of the various ways that musical improvisation can be used as a method for 

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